Noise Architecture

Noise Architecture is the dynamic oral literature of Java Street—Jember from the pre-reformation to the contemporary era.

This interdisciplinary work elaborates:

– oral literature

– archives market

– site specific performance

– documentary performance

– participatory architecture

Performer:

– Pak Ali (Elder of Jawa VII)

– Pak Jalal / Pak Teng-teng (Elder of Jawa VI)

– Pak Busar (Coordinator of Jalan Jawa street food association)

– Pak Samson (Parking attendant from the Transportation Department)

– Pak Johan (Gorengan seller at SMA 2)

– Bang Andi Azis (private parking attendant)

– Bang Ali (private parking attendant)

– Female Seller of Warung Lesehan

Team:

– Abi Muhammad Latif (Producer and Director)

– Dayu Prisma (Project Manager)

– Putra Yuda (Researcher and Artistic Designer)

– Aditya Prasta (Researcher, Lighting and Sound Designer)

– Ahmad Ulul Arham (Performer and Audience Coordinator)

– Fajar Dwi J (Lighting and Sound Team)

– Bangkit Adi (Artistic Team)

– Adib Mbah (Artistic Team)

– Jody (Coordinator Assistant of Performer and Audience)

– Muhammad Rosyid (Video Documentation)

Performance Observer:

– Dr. Ikwan Setiawan, S.S., M.A.

– Dwi Pranoto

Supported by the Indonesian Ministry of Education, Culture, Research, and Technology, Jakarta Arts Council Literature Committee, Jakarta International Literary Festival 2022, and Jember University.

a no sneeze warrant

A most crisis situation in a country during a pandemic. Where state authority is abused to accelerate the end of the plague (and society). The country has no more funds to deal with the plague, so they can only sell a dream: 2000 selected people will be sent all over the country to become the country’s saviours.

Text & Directing : Abi Muhammad Latif

Actor : Dayu Prisma

This work was selected as the eight best monologues of Jejak Virtual Aktor.

Supported by the Ministry of Education and Culture of the Republic of Indonesia

Talking with my-selves​

Talking with my-selves is a performance that is in the universe of power and identity issues. the performance that borrows the participatory-interrogative working mode, plays with the possibilities of presentation, representation, and those in between.

we invite several participants to input their personal data in the identity input space. the performer interacts with the plural self (performer and participant) as an attempt to reconsider issues that are singular and original, that bind and are unionized.

Working Team

Project Manager &  Performer : Dayu Prisma

Text dan Director : Abi Muhammad Latif

Publication : Andina R. I

Technical Team : Andina R. I, Sri Widodo, Elle, Firda

August 8, 2020

at Hore Kopi dan Apresiasi, Banyuwangi

Funded by Prita Kemal Gani

Supported by IDEAL, Hore Kopi dan Apresiasi

xati/xuicide​

xati/xuicide is the third chapter after Suicide Demonstration (Lintas Media, Teater Kecil, Jakarta) and #bluewhalechallenge (Cabaret Chairil, Teater Garasi, Yogyakarta). in this chapter, we requestion the current suicide phenomenon through sati/mesatya/pati obong that happened on October 13, 1691 in the Kingdom of Blambangan. 270 of the 400 wives of Tawang Alun were offered themselves to the death of the king. we propose sati as a redefinition system of the principle of suicide.

Director and Performer: Abi Muhammad Latif

Performer: Dayu Prisma